Sometimes, when the days are long and the edits longer and the weight of so many assignments feels heavy and never-ending and my work falls into an inefficient haze, I like to take a step back and refocus my energy and look at old work paired with new work and forgotten frames and sometimes, just sometimes, this method of refocusing yields fun and interesting and odd results. Like noticing that with a little creative editing, some of my previous hotel and resort shoots take on a bit of a film noir air. A kind of grim bleakness which stands in stark contrast to the idyllic locales and pampered states where most of these places actually exist. It’s a fun way of looking at your own photography, through this warped and cracked and backwards looking glass.
from swerve of shore 